←

Outpainting Platform

A frame from Destination Moon (1950), showing four astronauts on the lunar surface, in the film's original 4:3 frame.
One 4:3 source, reframed five ways. The outline marks the original footage. Everything outside it is generated.
Fisheye demo at Dorrance Dome.
The outpainting tool's cut editor: a source clip on the left with frame navigation, and panels on the right for aspect ratio, conditioning frame generation, and video outpainting.
Sample of UI.

An app for reframing footage for formats it was never shot in. Upload a clip and it splits the footage into shots, extends each one outward with generative video models on serverless GPUs, and stitches the approved results back together. This technology was used to run pilots with IMAX, A24, Sphere, and Cosm.

Highlights

  • Converts any single video into any format: IMAX, custom aspect ratios, horizontal to vertical and back, and 180° fisheye with custom tilt for dome screens.
  • Preserves the original content pixel-perfect: generation only fills what falls outside the source frame, never touching the footage itself.
  • Maintains context across multiple scenes and cuts, so the generated picture stays consistent through a full edit.
  • An intuitive UI, with solo workspaces and enterprise plans running on a credit system.